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Disturbed - Pianissimo Fortissimo

Pianissimo Fortissimo is the fifth album by Disturbed, which comes two years after testing by the excellent Songs in the mirror. The album that the band Turin has worked for over a year, marks the transition from an independent record label to a major label like EMI, and makes use of many excellent collaborations, by Manuel Agnelli, Afterhours - which is responsible for the choirs of In My Casket - to Baustelle, in Verden.

The result is forty minutes of music flowing with mild and delicate touch of mastery dampen the dark tones of the previous production, to develop new state of mind and tell the daily life of those insecure thirtysomething looking for answers and certainties, poised of nostalgia, love and regret nascent enthusiasm. From the solemn opening words of one more year, which opens the album full of romance with the disarming question, "Will where are you when I meet her eyes?" Pianissimo Fortissimo proceeds of sweetness sweetness, through the beautiful arches of David Rossi ( already worked with Coldplay, Goldfrapp, Siouxsie & The Banshees) in soft passages read as words or lively as the first single from the sun beats per minute (excluding from the jury of San Remo) and dreamy as the Casa Mia sweet, warm ballad of 'nascent love.

And yet the anxiety of the escape time in On and Off with his Brautigan "Day ending before you start, that a soft start to end in June Where were given an unusual atmosphere, poignant lament of nostalgia built exclusively on a piano accompanying the voice tormented by Tommaso Cerasuolo - who truly manages to procure that tickle the soul is talking about - the melancholy band all'incursione until the end. An album that, in perfect disturbance, combines the lightness of Italian pop to the depth and content of music copyright, excited to listen to the simplicity of little stories where you can find easily in our shares.

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The Doors - The Very Best Of The Doors

In January 1967 came out The Doors, dazzling debut homonym Californian band, for use in the course of a career short and intense, to overturn the fees and to establish themselves as one of the most incisive and irresistible in rock history.
Cover photo.

Forty years later, the myth of the unforgettable Jim Morrison and his talented band is not being dimmed and relives dazzling and ever present in The Very Best Of The Doors, who collects the most representative pieces together with previously unpublished interviews and live performances. The album is published in three versions, a single containing the songs historians, with a double and five previously unpublished interviews, and finally an issue Limited, which includes all the classic and previously unpublished, which will include a DVD containing footage of a European tour of '68 and an interactive booklet with photos and rarity. A unique opportunity to dive at a time of intellectual ferment lit, printed in the wild rock, psychedelic visionary, and Morrison, the charismatic and troubled poet, singer of sex, death and decay in shocking and irreverent in their tracks offering new interpretations of reality, in rebellion against predetermined values \u200b\u200bthat punch in the stomach and in the right-thinking people that still impresses with genius and modernity.

innate generational rebellion screamed in engaging hard rock riffs of Break On Throught, the majestic Light My Fire blues rock and his seven-minute ode to the brash and turned on their sex, yearning Riders Of The Storm, Alabama Song all'incalzante and decadent, until the masterpiece The End, a reconstruction of the rock myth of Oedipus, with a hypnotic and disturbing end spiraling guitar-organ-drums that run convulsively; The Very Best Of The Doors is a wide ride exciting and beautiful expression that captures the genius and self-destructive path and follows the immortal icon, and legendary charm. A play not to lose that wrap nostalgic older generations, and undoubtedly inflame the hearts and minds of the younger

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Good Charlotte - Good Morning Revival

Three years after The Chronicles Of Life And Death, the Madden brothers and their band back to continue the turnaround started last album, giving a further and probably irreversible turning towards pop cheating definitely punk origins, eliminates the slightly dark vein that survived in the previous work, giving the prints a electro-pop album, with a few ideas that draw largely inspired by '80s music scene and definitely disappointing for those who have known and loved in the driving mix of energy and originality of the beginning.

Early undeniable pop combined with a massive use of electronics, the first single extract, Keep Your Hand Off My Girl (radio airplay for months already) Good Morning Revival offers some suggestions welcome, opening entrusted to Misery, strong electro-rock surrounded by prominent keyboards, the most vital piece of the album and drag, The River which, in collaboration with M. Shadows and Synyster Gates of Avenged Sevenfold, a critical look at the "tacky, plastic, empty and meaningless" Los Angeles, for the adoption of Good Charlotte. It continues with the exciting Beautiful Place, his guitar and his soft tone inspired, and with the soft ballad of love Where Would We Be, which focused on the sweetness of the melody keyboard, tells of the end of the romance between the lead singer Joel Madden and Hilary Duff starlets.

Some excerpt from energetic rock to remember the brilliant and unconventional atmosphere of the origins and Something Else Broken Hearts Parade in order to conclude a journey not sound particularly exciting, with the soft On March
conducted with great enthusiasm and with the collaboration Don Gilmore (Pearl Jam producer, Linkin Park, Duran Duran), Good Charlotte have expressed clearly in Good Morning Revival, the desire to break free from the kind that led them to success, in search of a maturation that results in a flattening involuntarily Music, which scontenterà nostalgic but it is certainly much appreciated by young lovers of catchy pop and light.

Their world tour will take the band in the U.S. Italy, June 9 Idroscalo June 10 in Milan and Rome Tendastrisce.