Alright Meg Let's Take A Look At That Bergina

Linkin Park - Minutes To Midnight

Four years after they come back with Meteora Linkin Park Minutes To Midnight album annunciatissimo the turning point.

result of a meticulous and long fourteen months, the band's new album California stands for innovation, taste for experimentation and the search for a sound more mature and full of contamination. Abandoned by almost all schema nu-metal or metal-pop, in which Linkin Park have so far been labeled Minute To Midnight presents twelve tracks of rock-metal softer than expected with wide melodic fragments of hip hop and many ballads, and will share that will amaze the old supporters of the band.

After an instrumental incipit given to Wake, the album progresses through songs very strong, recalling the origins of Linkin Park, alternated with sugary ballad moments and undeniably pop, from aggressive and metallic Givin it Up apre l’album sotto i migliori auspici con la bella combinazione dura di chitarra e batteria, si passa così alla prima incrinatura, quella Leave Out All The Rest troppo simile alle orecchiabili hit da teen-band con un vocalist davvero fuori ruolo, fino ad arrivare a brani leggeri e assai poco convincenti come le pop In Pieces e Shadow Of The Day seppure quest’ultima sia inframmezzata da qualche lodevole accenno di elettronica.

Non mancano tuttavia in Minutes To Midnight, momenti di assoluta qualità che elevano le sorti dell’intero lavoro, dall’energica Bleed It Out (possibile singolo estivo), che combina splendidamente il rappato di Mike Shinoda e le urla straziate di Chester Bennington con un brioso background vocals and rhythmic clapping, the powerful No More Sorrow with his relentless and pounding drums and a chorus that explodes in angry tirades and enthralling.
And again, succeeded in trials with Hands Held Hight half that catapults in a church that leaves something perplexing, and six minutes of the last track, the acoustic The Little Things Give You Away "that closes the album rumors chasing around shouting and choruses deliberately suggestive but rather boring.

An album of transition to a maturity not yet fully achieved, nuanced and descriptive feelings of aggression traveling to sweetness, from anger to love, photographed in painful and passionate lyrics. Appreciable as a whole, excluding some painful fall, and admirable for the evolution of desire and the courage to decide that probably took place in a direction anti-commercial.

We see Linkin Park live during the European tour that just started will stop in Italy, Heineken Jammin 'Festival in Venice on June 15.

Nvidia 6510se Secrets

Dolores O'Riordan - Are You Listening?

Four years after the dissolution of Cramberries, the unmistakable voice of Dolores O'Riordan back to vibrate in his first solo test, Are You Listening?

Thanks to a private life finally happy and creative in full swing after the difficult past in the balance between depression and anorexia, Dolores O'Riordan is back on the music scene with an album that resonates loud and clear echo Cramberries , although there are obvious hints of the innovation in the lyrics and atmosphere. Overcome the anxiety and anger that made her beautiful voice of a tortured scream in the unforgettable Zombie, the Irish singer today speaks of peace and love, of family and children along twelve tracks ranging from folk and rock , the electro and the ballad and in which attempts to find good space experimentation.

Early

by persuasive and whispered single Ordinary Day - that tells the birth of her third daughter - the album progresses through the rock in the style of Cranberries When We Were Young with his inspired vocals that accompany the powerful guitar solos, then to turn to unusual new sounds with tracks such as In The Garden and its arches that blend, in a compelling harmony, with electric guitars and vocals, and that the Spirit Humuan curious incipit of convulsive proceeds to the piano and flute folk Arabic.

And more somber moments in which Dolores O'Riordan gives free expression to its full potential voice in the dark and painful Stay with Me Black Widow - that in a disturbing and distressing addresses the theme of death - music and songs inspired by the sugary delights as familiar as the soft ballad Apple Of My Eyes and singsong October to finally slip into the warm atmosphere of romantic songs with the final Angel Fire and the rarefied and delicate told Ecstasy with crystalline voice.

A return highly anticipated and unexpected for an artist who over the years has not lost his vocal power and was able to recur in new guise, and though many will regret the anger and shouting invectives sung liberators in the annals of the 90s, you may still not appreciate a work of good quality that assures us that with the dissolution of non Cramberries all is lost.

Mount And Blade Colors

After nearly four years of silence the fifth Travis offer us their unpublished work, The Boys With No Name.

The album marks the return of the band exploring their Scottish roots, after the phase of the controversial and alternative criticatissimo 12 Memories, finding the style and atmosphere of the origins of the late '90s, the enthusiasm associated with new paternity frontman Fran Healy, easily found in the title - alluding ironically to indecision on the name to be chosen for the unborn child - and in the topics covered in some songs. Archived

the gloom, the melancholy and personal vicissitudes of recent years, the band has poured into The Boys With No Name, a joyful state of mind is reflected clearly in the sunshine of twelve ballad featuring warm and enveloping sound particularly refined attention to detail, thanks the help of Nigel Godrich (of Radiohead also had produced), and supported by the excellent test interpretation extremely exciting and inspired by the vocalist.

from engaging incipit given to the soft acoustic ballad 3 Times And You Lose, listening to proceed through the light-hearted pop of driving Selfish Jean Closet and radio, to the more convincing songs of the album, from Battleships in cui la voce di Healy si fa strumento in un insolito falsetto, all’incalzante Eyes Wide Open con le sue chitarre molto rock, a My Eyes dolce benvenuto al nuovo nato che ha già riscosso grandi consensi nelle anticipazioni live.
Ancora momenti suggestivi con la countryeggiante Out In Space e con l’inno d’amore a New York - città d’adozione della band - e agli idoli personali del cantante citati in ordine sparso in New Amsterdam che precede la ghost track Sailing Away, brioso pop che chiude l’album in leggerezza e allegria.

Cinquanta minuti di musica piacevole e raffinata che unisce armoniosamente eleganza e lievità, per il ritorno di gran classe di una band che da sempre preferisce l’impegno e la confidentiality to the clamor of the limelight.

Matlab Amd Turion Vista

Autodafé - Emanuele Ottolenghi

The genesis of Autodafé, the debut by Emanuele Ottolenghi, dates back to 2001 (the crucial period of the second Palestinian Intifada) when, during a debate on the Palestinian refugees from the London School of Economics, the writer witnessed acts autodenuncia and dissociation of the Jewish world by a group of Jewish Londoners. Ottolenghi's mind immediately associated the incident with the terrible rite, belonging mainly to the tradition of the English Inquisition, through which men and women considered heretics, accused himself is in the public square before tackling the sentence - it was almost always sentenced to death at the stake - in an extreme act of faith "(from the Portuguese auto-da-fe)

was the starting point of complex and thorough survey on the current condition of the Jewish people, on the problematic relationship with Europe 'Judaism and anti-Semitism in the past five years, we are witnessing a subtle, creeping resurgence.

The result is a vast and detailed through documents, letters, articles and various citations, provides insights and answers to questions highly controversial and often nebulous, since the very concept of anti-Semitism in the collective reports generally the persecutions of the '30s and '40s - which culminated in the tragedy of the Holocaust - essentially based on a racial hatred that strong ties to the Nazis considered the jew "innately evil" (and thus to eliminate physically for the good of society) and that now seems largely outdated and impractical. The approach described by Ottolenghi, rather than tracking a clear link between anti-Zionism and the forms of injury prior to the '30s - which were based largely on the denial of Jewish identity in society - and the resulting postsionismo Semitism today be a variant and is characterized mainly in the non-acceptance of Jews as a people and legitimacy of Israel as a nation.

The result is a climate of growing hostility more or less manifest, which tends to explode in forms of violence of varying severity in conjunction with the most dramatic phases of the Arab-Israeli conflict, and - in a further parallel with the past - a propensity to 'exclusion of pro-Jewish isaeliani with consequent pressure in the direction of a "conversion" and a clear and radical departure from Israel and its policy that could be considered as an act of salvation by making the jew more socially acceptable.

The amplification of this trend towards schematic of a dominant negative thinking and uncritical towards the Jewish reality, it is also, as argued extensively in auto da fe, which is strongly influenced by a good part of the means of mass communication, guilty of the underlying impartiality which has initiated a crucial process of "demonization" of the policy and conduct Israel, which, although it can not be assimilated to the climate of terror and fanaticism established by the Nazis, it has to arouse suspicion and concern.

Punctual and documented Autodafé is a fundamental text that offers an uncommon perspective on pressing issues and unresolved complex of the Jewish question, which is essential to articulate a vision and a thorough knowledge of a phenomenon destructive as anti-Semitism that is well understood to be demolished.

Ocean City Nj Senior Week Rentals

Call Me Irresponsible - Michael Buble

After the overwhelming success of "It's Time, Michael Buble has been made to wait for two long years, during which he enjoyed the fruits of the twelve million copies sold the world, and lived by irresponsible devoted to the pleasures that the care of his precious throat, as stated in motivating the title of the new album, released a few days and have record sales.

Call Me Irresponsible, è un ottimo lavoro di cover che unisce il talento innegabile del più accreditato erede di Frank Sinatra, alla furbizia di scelte di scaletta che comprendono pezzi dal valore indiscusso, riarrangiati e rimodernati quel tanto che basta per impreziosirli senza mai stravolgerne la bellezza originale, in un viaggio di insolita bellezza dentro il raffinato swing d’autore.

Apertura dell’album affidata a The Best Is Yet To Come, resa famosa (tra gli altri) da Sinistra ed Ella Fitzgerald, e all’ex pop It Had Better Be Tonight, scritta nel 1964 da Johnny Mercer e Henry Mancini, e trasformata in a mellow sauce that pays homage to the origins of the Venetian singer with the opening words in Italian verse "It is better tonight."

is followed by a captivating I'm Your Man by Leonard Cohen, love swing complete with fiery interpretation that grows up to become angry pleasantly, and with two of the most important pieces of ' album, Comin 'Home - which relies on the participation of Boys II Men playing with Buble in a masterful succession of exciting items - and the great Eric Clapton Wonderful Tonight pop sung in duet with Brazilian singer-songwriter Ivan Lins, a harmonious admixture of English and Portuguese.

And yet moments of fascination with the choir I've Got The Word, and the famous That's Life enriched by the gospel choirs of TAKE 6.

The album also features two new songs, the clever pop Everything, the first single, and the poignant ballad of love and atmosphere Lost, written by the same Buble with the participation of the pop star Canadian Jann Arden, is intended to secure success as a sweet soundtrack for romantic summer nights.

taste for retro and contamination di moderno pop, si mescolano in un album estremamente godibile che racconta l’amore attraverso la voce calda e ricca di sfumature di un interprete talentuoso e carismatico, dotato tra l’altro di spiccate doti da intrattenitore che potremo presto sperimentare live, nel corso delle sei date italiane fissate dal 20 al 27 novembre a Bolzano, Padova, Mantova, Roma, Milano, Firenze.

How Do You Wax Your Underarms

live forever!


I miei occhi giacciono
in fondo al mare
nel cuore delle alghe
e dei coralli.