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Tiromancino - Dawn Of Tomorrow

Three years Illusions Parallel Dawn arrives tomorrow's new album Tiromancino, a part of a larger project that includes the black comedy Black family house, the first test of the eclectic filmmaker Federico Zampaglione, out of 13 April.
Already gold in few days after, The Dawn of Tomorrow confirms the steady rise in the career of Tiromancino and the tendency to search for a sound unconventional, oltre ad amplificare i concetti espressi nel film - pur proponendosi come progetto autonomo - attraverso nove brani inediti che si affiancano alla colonna sonora.
Avvalendosi di numerose collaborazioni, dalla rinnovata alchimia con il padre Domenico e il fratello Francesco - autore del brano Non Per L’Eternità - alla consolidata unione con la compagna Claudia Gerini - autrice e voce solista del sognante brano in lingua spagnola Nina De Luna, oltre che interprete principale del film - alla partecipazione dello storico percussionista napoletano Rosario Iermano; Federico Zampaglione ci parla d’amore e di ricerca di sé, di alienazione e condizione umana, con testi arguti e poetici che si sposano perfettamente ad un sound che spazia dal pop all’electro, dal blues all’alternative rock.
Registrato a Roma e masterizzato da Greg Calbi presso lo Sterling Sound di New York, alla ricerca di una meticolosa attenzione per il particolare, l’album spazia piacevolmente dall’electro-pop di Angoli Di Cielo, che apre l’album con l’invito “cerca in ogni notte un pò di sole” alla dolcezza della morbida ballad d’amore Un Altro Mare, dalla psichedelica Stop Making Numbers e dall’alternative rock della strumentale Linea Di Confine, alla sensualità gitana di Nina De Luna, per affrontare poi, il tema del male di vivere in Poveri Uomini “destinati a fragilità, spaventati dall’amore e dalla libertà”. Chiusura strumentale affidata Franco Califano tribute to the reworking of Rome Naked and the suggestive atmospheres of soft Blue
incisive and multifaceted, The Dawn of Tomorrow hits for rich sound and rhythm along with moments of delicate introspection, and confirms the talent of a of the most significant of the Italian music on hold to listen to the tour which starts in June and go through the whole of Italy.

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Biagio Antonacci - Vicky Love

Vicky Love is the title of the new album di Biagio Antonacci comes two years after the great success of Convivio and his two and a half million copies sold. Registered
entirely at his home in Bologna, looking for a raw sound inspired and essential alla musica anni ’70, Vicky Love è un album crudo e carnale che racconta d’amore e di sesso con la consapevolezza e la maturità del quarantenne che si propone nella sua essenzialità, mettendosi a nudo - non solo metaforicamente, come dimostra il booklet che accompagna il cd - per darsi in pasto al pubblico candidamente, scevro di sovrastrutture.
Un viaggio lungo undici canzoni attraverso le sfaccettature dell’amore, che sosta piacevolmente sull’erotismo esplicito fin dal brano d’apertura È Soffocamento, col suo incipit quasi mistico che si scatena, attraverso repentini cambi di atmosfera, in un crescendo di chitarre e batteria, audace sfondo ad una appassionata notte “di gambe intrecciate, di baci and different positions, tried and failed. " And still hot passion in sexy pop invitation dell'indiscutibilmente The Impossible with its "Think my hands on you often and think of where I'll bring you" or that "I want to hear about her, I want to shake it" the soft ballad Ladybug, along with his exciting instrumental finale, or gypsy guitars driving the Dream, performed by Gipsy Swing Martirani and embellished dall'incursione Dafne Wolves, who reads poetry in French.
There is also space for reflection in Vicky Love, for moments of solitude and melancholy of the romantic and thin there is silence, the pain of the end of a love You are no longer in here, with its languid acoustic guitar to accompany painful verses ("can not imagine how far you live if you're not here"), for the position most vibrant album in hands off Cape single track "political" in a fast-paced and dance that recalls the early days, venting residual anger Antonacci - accumulated during the work of reasoning in early youth - through the rebellion of an employee harassed and humiliated that they can not gain the dignity of the head , robs him of "what it is for someone like me." Closing the album
hands of sometimes opening words of solemn piano that gradually dies down, leaving space for the electric guitar to the song more rock album, which follows the greeting of the singer himself - in a confidential tone, that which for years has established with his audience - and the presentation of the ghost track Photograph, and whispered soft lullaby, written fifteen years ago and never recorded. An album
pleasant and engaging, largely setting aside every ideal of romantic love to paint realistic images and vital to identify with easily, and sing in chorus the only two-event tour dates, June 30 at the Stadio San Siro in Milan and July 6 at the Velodrome in Palermo.

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MIka - Life In Cartoon Motions

A few months after the sudden and overwhelming success of the single Grace Kelly has climbed from web le classifiche di tutta Europa, arriva Life In Cartoon Motion, primo album del giovane e promettente Mika.
Nato a Beirut e fuggito dalla Guerra del Golfo prima a Parigi poi a Londra e infine negli Stati Uniti, Mica Penniman - questo il suo vero nome - ha iniziato a scrivere e cantare da bambino ricevendo una formazione musicale importante sotto la guida di un “severissimo insegnate di canto russo”, componendo brani per spot pubblicitari e incidendo per la Royal Opera House, fino allo scontro con la dura realtà e con le ferree regole del mercato discografico, a cui accenna in quel singolo di esordio che, apparso timidamente su myspace, è diventato in breve, un tale fenomeno mediatico, da creare una spasmodica attesa e curiosità attorno the first album. Compared
- with obvious excesses of enthusiasm - with artists like Freddie Mercury, George Michael and Elton John, Mika in reality, while drawing on the greats of the past and inspired by the '70s and '80s music, has a strong character and a personal style can be expressed freely in Life In Cartoon Motion, a dance album and lively, lit and colorful as its cover.
Ten songs (and two bonus-track) that blend into a lively cauldron pop, funk, disco and hip hop, alternating marches irresistible melancholy ballad surprisingly, by the brilliant Lollypop, built between choral moments next to the characteristic airy falsetto, the enthralling Any Others World, warm ballad string, voice and long-awaited final suggestive, and even 70's disco in the rhythmic relaxation, fun electro-pop in Big Girl, perky piano Stuck In The Middle and entrusted to the final soft sweet and inspired Happy Ending.
Light and joyful, Life In Cartoon Motion, runs through the stories of everyday life glancing ironic, melancholic and sometimes euphoric reality, staging funny characters and funny as the star of Billy Brown, who leaves his wife for love of a man or threatened happily all those who seek his beloved sister in Lollypop.
Solid debut, very cool and nice to listen to the young Mika, already beloved gay icon wins tender for all and sympathy.

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Daniele Silvestri - Il Latitante

Five years after the lucky one two, and after a double live album, a memorable concert event in Mozambique and the publication of a picture book, returns with Daniele Silvestri Sanremo a striking appearance and a highly anticipated new album, The Fugitive.
largely abandoned the approach that characterized the policy of previous works, The Fugitive is an album by softer tones but never disengaged, which resist acute and obvious, hints controversial filtered through the lens of the usual irony, always alive to the attention hottest social issues.
difficult to label with the style to which we have become accustomed, the brilliant songwriter Roman speaks of love and politics, the loss of the thirties and clichés malpractice and Italian, making us laugh, move and think through thirteen tracks, various and multiform for sounds and topics. Dall'incipit given to the grieving I Lost It, sophisticated jazz that goes in crescendo culminating in the final long solo trumpet given to Demo Morselli, a mix of jazz and samba Gazzè with Max on bass, face velvet sull'incomunicabilità man and women, to the irresistible sounds of the Caribbean furbissimo Paranza that behind the seemingly easy-going photographer skillfully the Italian habit of escaping responsibility, ignore the evidence and give into hiding.
To continue with moments of energetic rock on the banks of the multi-faceted and I Dell'Arrone Fortunately his rousing solos and electric guitar, alternating with the openings of a pop-dance songs most representative of the album, the exhilarating Gino EL'Alfetta which, with joy and biting sarcasm tackles a controversial subject like homosexuality, siding and I say openly in favor of highlighting the absurdity of prejudice with his disarming question "what do you want, I'm gay that made my disorder do you have? Capitalize on the huge inconvenience it? but you know how many genes and heroes are gay do not you know? or do not want to remind you prefer to think that a gay is some sort of error, something immoral or at best a fool. " And yet
reflections on the relations in A Ricochet ("but not for the sun to pass in the row") in duet with Andrea "Bove" Leuzzi of Eight Ohms and economic difficulties in the sweet lullaby semiseria Ninette Nanna.
He feels the lack of a clear strong position and slogans scream live in, but the revolutionary spirit of the unforgettable Silvestri Cohiba beats throughout the album and seems to lean hard on the back end, when, faithful to his belief, albeit more cautious, tells us about human indifference in the face of all sorts of horror in Love Is In The Air ("Even the most horrible stench smell the stench worse than the black and deadly know that within hours you can They even forget to think that maybe it seemed, the smell has gone if ever there was some smell but in the meantime, tempers the scent will slowly kill you and who produced smiles ") or when it realizes a tasty teasing the eternal enemy of Berlusconi in the up and march That beautiful face, then finished his career with the beautiful still important, melancholy ballad jazz developed in collaboration with Inti Illimani, perfectly recognizable the sound built around the classic horn and voice Jeorge Coulon which enhances the song with his beautiful recited final.
An album not to be missed, full of songs for a successful and acute reflections, for a versatile artist capable of a brilliant use of the word, that consoles us with his rare example of consistency and intellectual honesty