Five years after the lucky one two, and after a double live album, a memorable concert event in Mozambique and the publication of a picture book, returns with Daniele Silvestri Sanremo a striking appearance and a highly anticipated new album, The Fugitive.
largely abandoned the approach that characterized the policy of previous works, The Fugitive is an album by softer tones but never disengaged, which resist acute and obvious, hints controversial filtered through the lens of the usual irony, always alive to the attention hottest social issues.
difficult to label with the style to which we have become accustomed, the brilliant songwriter Roman speaks of love and politics, the loss of the thirties and clichés malpractice and Italian, making us laugh, move and think through thirteen tracks, various and multiform for sounds and topics. Dall'incipit given to the grieving I Lost It, sophisticated jazz that goes in crescendo culminating in the final long solo trumpet given to Demo Morselli, a mix of jazz and samba Gazzè with Max on bass, face velvet sull'incomunicabilità man and women, to the irresistible sounds of the Caribbean furbissimo Paranza that behind the seemingly easy-going photographer skillfully the Italian habit of escaping responsibility, ignore the evidence and give into hiding.
To continue with moments of energetic rock on the banks of the multi-faceted and I Dell'Arrone Fortunately his rousing solos and electric guitar, alternating with the openings of a pop-dance songs most representative of the album, the exhilarating Gino EL'Alfetta which, with joy and biting sarcasm tackles a controversial subject like homosexuality, siding and I say openly in favor of highlighting the absurdity of prejudice with his disarming question "what do you want, I'm gay that made my disorder do you have? Capitalize on the huge inconvenience it? but you know how many genes and heroes are gay do not you know? or do not want to remind you prefer to think that a gay is some sort of error, something immoral or at best a fool. " And yet
reflections on the relations in A Ricochet ("but not for the sun to pass in the row") in duet with Andrea "Bove" Leuzzi of Eight Ohms and economic difficulties in the sweet lullaby semiseria Ninette Nanna.
He feels the lack of a clear strong position and slogans scream live in, but the revolutionary spirit of the unforgettable Silvestri Cohiba beats throughout the album and seems to lean hard on the back end, when, faithful to his belief, albeit more cautious, tells us about human indifference in the face of all sorts of horror in Love Is In The Air ("Even the most horrible stench smell the stench worse than the black and deadly know that within hours you can They even forget to think that maybe it seemed, the smell has gone if ever there was some smell but in the meantime, tempers the scent will slowly kill you and who produced smiles ") or when it realizes a tasty teasing the eternal enemy of Berlusconi in the up and march That beautiful face, then finished his career with the beautiful still important, melancholy ballad jazz developed in collaboration with Inti Illimani, perfectly recognizable the sound built around the classic horn and voice Jeorge Coulon which enhances the song with his beautiful recited final.
An album not to be missed, full of songs for a successful and acute reflections, for a versatile artist capable of a brilliant use of the word, that consoles us with his rare example of consistency and intellectual honesty
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