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Manu Chao - La Radiolina

It's called the new work by La Radiolina Manu Chao, the fifth solo album by the end of the collaboration with Mano Negra.

Three years after the episode Siberia m'était experimental counties (never distributed in Italy) the voice of the sun disappeared again speak of hope, love and freedom and to point the finger at the distortions of a world wrong with the look of a child pure and confident quarantaseienne.

The album - produced by the same collaboration with Manu Chao and Andrew Scheps Mario Caldato, the independent label Because Music, which the singer is bound by choice for years - as alternates usual moments of reflection, emotion and joy, and skillfully blends rumba rhythms travel from ska, to reggae until the patchanka unpublished contamination rock, accompanied by insults in English, French, English, Italian and even, for a job and eclectic involving that knows no barriers and flags.

The beginning entrusted to the powerful whooping 13 Dias with his bright guitar solos, suggests the themes dear and new sounds that will be developed along the album, going through the painful love of considerations Maleza Tristeza, open letter complaint and rebellion against the U.S. president, and Politik Kills harsh indictment of the corruption of leaders who advocate a policy that kills (politik need cries politik need force poltik need ignorance politik need lies) to the first single from the overwhelming Rainin Paradize. Already in radio airplay for months, and can be downloaded from the official site, and accompanied by a video shot by his incisive Emir Kusturica, the track shows the more bitter soul and rock artist of the brilliant French-English, who claimed to be a restless guitar electric hammers and pulls for four exciting minutes, lashes out strongly against the horror of all wars, lighting of particular fervor when addressing the issue of the American in Iraq ("In Baghdad there is no democracy just because is a nation that belongs to the United States ") do not forget to lash out too often ignored the atrocities that are consumed daily in Palestine, Congo, Zaire and globally in all" this crazy world. "

addition to the commitment and anger, however, La Radiolina gives us moments of love, intimacy and dreams in which the voice of Manu Chao becomes the protagonist of caressing sensual ballad that sounds have colors and typically South American, Me llaman Calle by the warm, the unusual A Thing, in which the artist engages in an Italian soft and flaky (as evidenced by the failure of the title) in duet with the voice corrosive di Tonino Carotone; dalla morbida Mala Fama in cui spicca piacevolmente malinconica la sapiente tromba di Roy Paci, alla bellissima La Vida Es Una Tombola, colonna sonora del film-documentario El Pibe De Oro di Kusturica, e dichiarazione d’amore e stima a Diego Armando Maradona, per una vita vissuta pienamente tra eccessi e passione (“si yo fuera Maratona yo viviria como el”).

Intenso e ricco di contenuti e sonorità variegate, La Radiolina è un nuovo importante tassello che arricchisce bel mosaico costruito negli anni da Manu Chao, menestrello buffo e profondo che non smette di battersi e di sognare, lasciandoci immaginare un Otro Mundo più giusto e equo.

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Everything is in the news - Carlo Sorrentino

Carocci presenta Tutto Fa Notizia, per leggere il giornale e capire il giornalismo.

Docente di teoria e tecniche delle comunicazioni di massa all’Università di Firenze, e già autore di numerosi saggi sul giornalismo, Carlo Sorrentino, nel suo ultimo lavoro esamina e approfondisce le logiche e i meccanismi che regolano dall’interno il lavoro giornalistico.

Guida indispensabile per chi vuole intraprendere la carriera giornalistica, ma assolutamente necessario anche a tutti coloro che desiderano comprendere a fondo e occupare un ruolo attivo e critico all’interno del circuito informativo, Tutto Fa Notizia, costituisce un vademecum completo ed esauriente che affonda nel passato per capire il presente e cogliere le tendenze future di una professione affascinate e complessa.

Dopo un excursus nella storia del giornalismo che traccia le fasi che ne hanno caratterizzato l’evoluzione - dalla nascita del giornalismo moderno negli anni dell’unità d’Italia, all’irruzione della televisione e della stampa locale fino alle nuove forme di intrattenimento e alla rivoluzione dell’informazione via web - Sorrentino conduce il lettore alla conoscenza dettagliata del lavoro redazionale, dei ruoli professionali, dei codici e degli ambiti e ci mostra con linguaggio esplicativo e con l’ausilio di numerosi esempi, l’iter che dalla raccolta delle informazioni procede attraverso riunioni e confronti, fino alla stesura e all’impaginazione del giornale.

Tutto Fa Notizia analizza inoltre le conseguenze dei cambiamenti sociali e dell’espansione dei media, che hanno moltiplicato il flusso informativo favorendo numerose contaminazioni - come nel caso dei reality show - e variegate (e talvolta superficiali o interessate) chiavi di lettura; e offre le conoscenze e i mezzi necessari per un’esposizione consapevole e vigile all’informazione che consenta un lavoro di scrematura e selezione, per non rischiare di divenire fruitori passivi di notizie dalle menti manipolabili.

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Bon Jovi - Lost Highway.

A due anni dal grande successo di Have A Nice Day, i Bon Jovi sono back top the American charts with Lost Highway, announced that turning point towards a more intimate sound, as a former unruly boys, now grown.

Boasting ten albums and stratospheric figure of 120 million copies sold worldwide during un'oltre twenty-year career that has never experienced decline, the quintet U.S. is today as much more soft with a sound that leaves the excess metal, the solos of guitarist Richie Sambora violent and angry cries of Jon BonJovi, to arrive at a reassuring pop-rock with a strong and effective impression country, absorbed in that of Nashville - capital of the world famous the music of the cowboy - dove l’album è stato concepito e registrato.

L’apertura di Lost Highway tuttavia, richiama immediatamente le più classiche sonorità bonjoviane, con la trascinante title track e la solare e briosa Summertime, cui segue il primo singolo estratto, l’ultra melodica (You Want To) Make A Memory struggente ballad di tastiere, violini e toni commossi.

Si procede con Whole Lot Of Leaving la prima traccia indiscutibilmente country dell’album, e la ritmata We Got It Going On che si avvale della collaborazione di Big & Rich - moderni rappresentanti del country pop americano - per giungere alle avvolgenti atmosfere della delicata Seat Nex To You che esplora the painful events in the group (the recent death of Sambora's father, his divorce by actress Denise Richards and his drinking problem) and Till We Is not Strangers Anymore, one of the top songs in the album duet with the warm voice of Lee Ann Rymes, American starlets, famous in Italy for the successful soundtrack to the film Coyote Ugly.

And yet moments of melancholy reflections with One Step Closet, soothing piano ballad played on a widely prevalent and interspersed with energetic guitar solos, which anticipates a closing album of crackling energy and entrusted addictive I Love This Town.

A mild and pleasant album, which spells out a necessary process of evolution and a clear need to reinvent themselves, with some peak of pure melodic energy next to large, from avoiding listening to Bon Jovi and nostalgia for the 80s.

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Dream Theater - Systematic Chaos

Two years after the controversial Octavarium, Dream Theater are back with Systematic Chaos, the ninth labor of their twenty-year career.

Considered the founder of progressive metal - a genre that mixes progressive rock and heavy metal whose genesis goes back to album Images And generally Word 1992 - the band in the U.S. confirms Systematic Chaos, passion for experimentation and for the choices decidedly anti-commercial, making a whole album and aggressive, extremely generous in life (over seventy minutes of music in just eight tracks diluted) in a tortuous sounds of chaos on and furious, sometimes repetitive and not immediately assimilated.

The beginning, given the powerful In The Presence Of Enemies (Part 1) brings us to the Valley in five minutes mighty roaring chase instrumental guitar-bass-drums followed by the entry of well-balanced vocalist James LaBrie , and paves the way for one of the most important songs of the album, the engaging Forsaken with vigorous guitar solos that burst sull'inquietante opening piano melody for a warm and convincing, followed by the first single "Constant Motion, with its tribute to Metallica sang clearly similar to James Hetfield.

And yet battery-style fireworks, guitars and keyboards violent and evil and distorted voices in The Dark Eternal Night, Songs of a dark and heavy album, the first to grant us a quiet moment with ballads Repentance that, with soft tones and whispering voices that run - in a sound reminiscent of Pink Floyd - is the fourth piece of the saga that Dream Theater have given to alcoholics anonymous.
Continue to the end of the album, with epic choruses and vigorous Prophets Of War - that reminds a bit 'too much of the Muse - and the yearning melody of the beautiful power ballad The Ministry Of Lost Souls, moving text of guitarist John Petrucci and sudden changes of atmosphere that lead to an absolute ground final long before reliable conclusions to In The Presence Of Enemies (Part 2) with its more than sixteen minutes, alternating with melodic moments acids that converge towards a long finish orchestra.

album A violent and difficult with which to familiarize yourself slowly and after several plays, much more effective in recent episodes and several tracks that stand out with vivid and enthralling, it indicates an incipient fatigue and a poverty of inspiration (which is manifested in the clear trend recycling) which will hopefully be only a passing episode showing the Dream Theater to its former glory.

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Negramaro - La Finestra

driven by single Parlami D'Amore, already most favored candidate to become the real agony (I) of the summer, then now is the window of the highly anticipated fourth album Negramaro.

Two years after the revelatory Everything Flows, which has catapulted them into a new dimension of media overexposure and popular success, the Salento Negramaro have thought big, flying at the Plant Studios in San Francisco, with the super vision of Corrado Rustici (musician and producer who collaborated with the greatest artists of national and international) to record an album of ambitious and redundant, while maintaining a recognizable style that tries to recapture the spirit of avoiding the possible origins to bend the laws of the market.

In an attempt to repeat the success of the previous album, La Finestra Negramaro follows the classic pattern, mixing, along fourteen tracks, the rock to ballads and excerpts of electronics, but adding a touch of originality without falling in ' too commercial, for texts that range from social to personal problems in love all its phases, from joy to anguish.

The album opens with the banner of pure energy Distraction powerful, its catchy riffs and clever soft-erotic text ("your head between my legs, my head between my legs "repeated obsessively), So Evil el'accattivante Giuliano Then, ironically self-congratulatory refrain from chanting easy to hold, then continue with immersion in the romance of the first ballad of the album, the nostalgic step back, piano and acoustic guitar in the first floor and growing with a pace that gives an intense vocalist.

And yet

unusual alternation of moods, moving from the experimental sound of the title track and The Moon and looting - which relies on the participation of the epic Coro dell'Accademia di Santa Cecilia - the reassuring notes of sweet that there's A Place ' is minimal in the structure of piano, strings and vocals definitely exciting for three minutes, until one of the top songs of the album, the vibrant rain falls, written by Jovanotti also appearing as a guest star in the final rapped convincingly.

It then slides to a conclusion-swing between the overflowing Via hands from his eyes - that combines electro sounds vigorous and extremely rock guitar solos - and You Remember Me, next to the sweetness of a once in a while, and And So that closes the album in tenderness (but then the eruption of noisy ghost track).

To listen without prejudice to appreciate the pleasant surprises of a job well done, well played and studied in detail, and the undeniable vocal talents of good vocalist (and author of music and lyrics) Giuliano Sangiorgi.
Negramaro, they are going to start with a long tour, they will stop on July 8 in Taormina, in the magnificent scenery of the Ancient Theatre.

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Kiss the hands, Roy Paci!

Two years away from Viva La Vida, Roy Paci back to the music scene Suonoglobal with the fourth project of its cooperation with the Aretuska.

Conceived during the long wanderings among the many who live band held in 2006, recorded in eight different studies and mastered in New York, is a bustling cauldron Suonoglobal mixing styles, idioms and multiple influences into a sound brilliant and varied proudly displaying the value of the contamination and stir for a mutual enrichment in the sign of abatement of any physical and mental borders.

coupling with a full artistic maturity, Roy Paci, augustese talented trumpet player, was able to harmonize within a unique and ambitious work, rock, pop, rap and swing as well as experience and personality of many Italian and international artists who have collaborated on five of the fifteen catchy songs.

The first single, Toda Joia Toda Beleza, opens the album in grand style in the company of Manu Chao - whose long collaboration with Paci is already seven years - that on an exhilarating sound of trumpets and drums, a sudden fancy language suspended between the Italian and English, deliberately mocking the grammar rules and bending them to let it dominate the music, then continue with the all-new fusion of tango and rap in a duet with Tango Chango Cor Veleno and the harsh No Quiero Nada internationalized and anger between dialect Sicilian, English and French.

And yet exotic atmosphere with Giramundo with Pau Negrita, to get back to rock out with the overwhelming Noon alongside two of the most significant representatives dell'infuocato south, Caparezza and Sud Sound System. Some surprisingly quiet moment with the soft jazz of Without You, featuring a romantic and nostalgic novel Paci, to revive again in the flame test of the lively dancing and the last duet is better next to The Old Erriquez Bandabardò of which sports her sensual French until the final in my country, reggae hymn of love to Sicily, its people and that volcano that "turns on the heart ".

An album that has the bright colors and sparkling in the south, which smacks of gutter passion and enthusiasm and positivity, an artist of extraordinary talent, who speaks of strength and redemption skillfully combining fun and reflection. To dance, to think and enjoy the beauty and power of art that knows no geographical boundaries and mental limits.

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Miguel Bosé celebrates thirty years of his career with Papito, a new album was delighted three generations of admirers around the world.

result of a complex and painstaking work that involved the English artist for two years, and registered between Madrid, New York, Miami, Panama, London and Los Angeles, Papito resumes and reworks the songs most representative of the long career of Bose - many of them unpublished in Italy - enriching the collaboration of a real parade of prestigious international stars, and adding two covers of undisputed value.

The result is a long ride seventeen songs moving between Latin passion and romance, set in dreamy atmospheres in the balance between flamenco and pop rock, from the torrid dall'incipit entrusted Morena Mia, who couples with Julieta Venegas, tells of the unforgettable brunette initiation of sexual boasting beautiful fifties in what by Bose himself was called a "porn-pop." It continues with the engaging ballad Si Tu No Vuelves (English version of the famous Me Not To Come, 1994) in which a background of soft strings and piano accompany the duets with Shake; Ardenza vitality to move the pair Bose-Ricky Martin Bamboo in the lively and moments of reflection Nada Particular, in which Bose launches barbs against the war - taking a cue from an experience in Yugoslavia - next to Juanes.

And again in the sweet tenderness and nostalgia Te Amar - the first text of gentle love e disperato scritto da Bosè nel 1980 - in perfetta armonia con la voce cristallina di Laura Pausini, per scivolare poi verso i momenti più importanti dell’album, tra cui spiccano le collaborazioni con Michael Stipe, il frontman dei REM, decisamente ispirato che si cimenta nella sensuale lingua spagnola raccontando di viaggi introspettivi in Lo Que Hay Es Lo Que Ves; l’israeliana Noa che duetta nella versione spagnola del celeberrimo tema de La Vita È Bella che Nicola Piovani scrisse per il film di Benigni, e Mina che reinterpreta in versione spagnola la famosa Acqua E Sale accompagnata per l’occasione da una sognante chitarra flamenca.

Solare e appassionato, Papito è un nice album full of charm enhanced by the personal touch that each of the guest stars awarded to each song (and who has independently chosen from the repertoire), allowing wind to be heard by the warm voice of a singer talented and refined, which has managed to reinvent themselves and live without fear of its many lives and art of transgression.

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Yolanda Adams - The second chance.

has been nearly four years since the last album of porn magazines, a number of years of work and live, during which, however, has often floated the possibility of the dissolution of the band. The Porno Magazines
instead are still with us, lit, lively and angry as ever!

The second possibility is the title of the new album from Varese, which incorporates those themes that energy and sound that they have placed them among the most vital and significant of the Italian punk, made more powerful and intensive clear maturation.

From Pornogalera to Kamikazen ("Eyes elusive and explosive substances, is the tendency of the Century"), I want to be a dog to Breathe ("Breathless, strangled and succeed without the same strength to hate you"), the ' album features eleven songs from flavors extremely critical and introspective, which travels between the complaint and disillusionment, between irony and tales of life, showing the deformation of reality alongside the desire to surrender and rebellion imprinted in angry voices of Tommy and Danny who take turns in making extremely heavy songs like In The Midst Of It All.

Agreements guitars and a tight drag, for half an hour of exciting music to listen to next to a train, to give vent to any cry liberating trapped inside.

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Hugh Laurie - The arms dealer

Ten years since England, arrives in Italy The arms dealer, the debut of Hugh Laurie, the famous protagonist of the beloved Dr. House, the most extravagant medical television.

Actor widely recognized by the talented and famous at home for nearly two decades, Hugh Laurie with The arms dealer, also proves to be a skilled novelist, able to strike up a fascinating story that tackles complex topics such as espionage, terrorism, arms trafficking and greed (in) human narrative through a bright and tight, constantly accompanied by irony and a sharp eye on the reality that, among mourners comments next to withering jokes ("The world is a pretty terrible place and we all prefer to live on Saturn ") is an excellent company to entertain and at the same time turn the study questions dramatically present and pressing.

From a dazzling opening words ("Imagine having to break an arm or left qualcuno.Destro does not matter. The point is that you break it, because if not ... well, 'even this matter. Let's say that if you do bad things will happen ") that nails the reader, the author leads a fascinating eclectic all'accattivante intrigue around the figure of Thomas Lang, thirty-six former soldier and mercenary, hard hitter and determined, chronically single, penniless and possessor of nothing but that his Kawasaki and his dignity.

And it will be the defense of the moral residue of the main character suddenly discovers di avere e che lo porterà a rifiutare (e a denunciare) un compito da killer, a catapultarlo in un inferno di violenza e corruzione tra figure pericolose di miliardari disonesti, organizzazioni losche e donne fatali di cui innamorarsi, in un crescendo di eventi - raccontati in prima persona - convergenti verso i sorprendenti risvolti e la brillante soluzione finale.

Una lettura entusiasmante e piacevole che diverte e appassiona riuscendo ad armonizzare perfettamente humor e noir, calibrando suspence, azione e ironia.

Il Venditore Di Armi, che nel progetto dell’autore dovrebbe essere il primo di una saga di sei romanzi, sarà presto seguito da The Paper Soldiers, in uscita a settembre in Inghilterra e Stati Uniti; Thomas Lang è inoltre destinato a diventare eroe del grande schermo - secondo un’idea a cui si sta lavorando già da anni e che ha subito un brusco arresto dopo gli eventi dell’11 settembre 2001 - e non potrà che avere il volto furbo e rude dell’ottimo Hugh Laurie.

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Irene Grandi - Irene Grandi.Hits

A tredici anni dal debutto e con sei album di inediti alle spalle, Irene Grandi ripercorre la sua carriera in Irene Grandi.hits, doppio album antologico che raccoglie le tappe fondamentali del suo lavoro, oltre a due inediti e due cover.

Da Un Motivo Maledetto, risalente all’album di esordio del ’93, a broad overview of subsequent proceedings in the first cd, through the various facets of the music of singer Tuscany, ranging from pop Bum Bum is on vacation for a lifetime, the energy of rock and Out To Make Love to immersed in the romantic ballad of Sweet Love and Go Go Go

The second CD provides many new - highlighting the likely future trend towards a more soft and intimate - including two new songs, Burn The City, written in collaboration with Francesco Bianconi of Baustelle and already very successful radio show for weeks, and the window, classic-style pop chorus on the Great and catchy and clever text signed Paul Grasso (former collaborator and Vasco Rossi Renato Zero) in the balance between love and disappointment incitement optimistic: "I will open a window and point the finger at the sky thinking, the universe does not stop for a broken love affair."

evidence has been well interpreted in the covers of famous songs like the sultry I Want You I Like Mina and sore Estate Bruno Martino dressed for the occasion of bossa nova beat, along with considerable collaborations If I Want To sung in duet with Pino Daniele, and is only a dream with the piano jazz musician Stefano Bollani that hangs beautifully. The new editions in
unplugged version of hits such as Bum Bum, Great Things, before leaving for The Longest Journey, an album that finally close look at the past without nostalgia, evoking images and pleasant read, and casts a look at the same time hopeful for the future good of an artist to be written and tenacious.

Irene Grandi In the coming days will start with a long summer tour that will cross the whole of Italy and Sicily in July will touch.

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Linkin Park - Minutes To Midnight

Four years after they come back with Meteora Linkin Park Minutes To Midnight album annunciatissimo the turning point.

result of a meticulous and long fourteen months, the band's new album California stands for innovation, taste for experimentation and the search for a sound more mature and full of contamination. Abandoned by almost all schema nu-metal or metal-pop, in which Linkin Park have so far been labeled Minute To Midnight presents twelve tracks of rock-metal softer than expected with wide melodic fragments of hip hop and many ballads, and will share that will amaze the old supporters of the band.

After an instrumental incipit given to Wake, the album progresses through songs very strong, recalling the origins of Linkin Park, alternated with sugary ballad moments and undeniably pop, from aggressive and metallic Givin it Up apre l’album sotto i migliori auspici con la bella combinazione dura di chitarra e batteria, si passa così alla prima incrinatura, quella Leave Out All The Rest troppo simile alle orecchiabili hit da teen-band con un vocalist davvero fuori ruolo, fino ad arrivare a brani leggeri e assai poco convincenti come le pop In Pieces e Shadow Of The Day seppure quest’ultima sia inframmezzata da qualche lodevole accenno di elettronica.

Non mancano tuttavia in Minutes To Midnight, momenti di assoluta qualità che elevano le sorti dell’intero lavoro, dall’energica Bleed It Out (possibile singolo estivo), che combina splendidamente il rappato di Mike Shinoda e le urla straziate di Chester Bennington con un brioso background vocals and rhythmic clapping, the powerful No More Sorrow with his relentless and pounding drums and a chorus that explodes in angry tirades and enthralling.
And again, succeeded in trials with Hands Held Hight half that catapults in a church that leaves something perplexing, and six minutes of the last track, the acoustic The Little Things Give You Away "that closes the album rumors chasing around shouting and choruses deliberately suggestive but rather boring.

An album of transition to a maturity not yet fully achieved, nuanced and descriptive feelings of aggression traveling to sweetness, from anger to love, photographed in painful and passionate lyrics. Appreciable as a whole, excluding some painful fall, and admirable for the evolution of desire and the courage to decide that probably took place in a direction anti-commercial.

We see Linkin Park live during the European tour that just started will stop in Italy, Heineken Jammin 'Festival in Venice on June 15.

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Dolores O'Riordan - Are You Listening?

Four years after the dissolution of Cramberries, the unmistakable voice of Dolores O'Riordan back to vibrate in his first solo test, Are You Listening?

Thanks to a private life finally happy and creative in full swing after the difficult past in the balance between depression and anorexia, Dolores O'Riordan is back on the music scene with an album that resonates loud and clear echo Cramberries , although there are obvious hints of the innovation in the lyrics and atmosphere. Overcome the anxiety and anger that made her beautiful voice of a tortured scream in the unforgettable Zombie, the Irish singer today speaks of peace and love, of family and children along twelve tracks ranging from folk and rock , the electro and the ballad and in which attempts to find good space experimentation.

Early

by persuasive and whispered single Ordinary Day - that tells the birth of her third daughter - the album progresses through the rock in the style of Cranberries When We Were Young with his inspired vocals that accompany the powerful guitar solos, then to turn to unusual new sounds with tracks such as In The Garden and its arches that blend, in a compelling harmony, with electric guitars and vocals, and that the Spirit Humuan curious incipit of convulsive proceeds to the piano and flute folk Arabic.

And more somber moments in which Dolores O'Riordan gives free expression to its full potential voice in the dark and painful Stay with Me Black Widow - that in a disturbing and distressing addresses the theme of death - music and songs inspired by the sugary delights as familiar as the soft ballad Apple Of My Eyes and singsong October to finally slip into the warm atmosphere of romantic songs with the final Angel Fire and the rarefied and delicate told Ecstasy with crystalline voice.

A return highly anticipated and unexpected for an artist who over the years has not lost his vocal power and was able to recur in new guise, and though many will regret the anger and shouting invectives sung liberators in the annals of the 90s, you may still not appreciate a work of good quality that assures us that with the dissolution of non Cramberries all is lost.

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After nearly four years of silence the fifth Travis offer us their unpublished work, The Boys With No Name.

The album marks the return of the band exploring their Scottish roots, after the phase of the controversial and alternative criticatissimo 12 Memories, finding the style and atmosphere of the origins of the late '90s, the enthusiasm associated with new paternity frontman Fran Healy, easily found in the title - alluding ironically to indecision on the name to be chosen for the unborn child - and in the topics covered in some songs. Archived

the gloom, the melancholy and personal vicissitudes of recent years, the band has poured into The Boys With No Name, a joyful state of mind is reflected clearly in the sunshine of twelve ballad featuring warm and enveloping sound particularly refined attention to detail, thanks the help of Nigel Godrich (of Radiohead also had produced), and supported by the excellent test interpretation extremely exciting and inspired by the vocalist.

from engaging incipit given to the soft acoustic ballad 3 Times And You Lose, listening to proceed through the light-hearted pop of driving Selfish Jean Closet and radio, to the more convincing songs of the album, from Battleships in cui la voce di Healy si fa strumento in un insolito falsetto, all’incalzante Eyes Wide Open con le sue chitarre molto rock, a My Eyes dolce benvenuto al nuovo nato che ha già riscosso grandi consensi nelle anticipazioni live.
Ancora momenti suggestivi con la countryeggiante Out In Space e con l’inno d’amore a New York - città d’adozione della band - e agli idoli personali del cantante citati in ordine sparso in New Amsterdam che precede la ghost track Sailing Away, brioso pop che chiude l’album in leggerezza e allegria.

Cinquanta minuti di musica piacevole e raffinata che unisce armoniosamente eleganza e lievità, per il ritorno di gran classe di una band che da sempre preferisce l’impegno e la confidentiality to the clamor of the limelight.

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Autodafé - Emanuele Ottolenghi

The genesis of Autodafé, the debut by Emanuele Ottolenghi, dates back to 2001 (the crucial period of the second Palestinian Intifada) when, during a debate on the Palestinian refugees from the London School of Economics, the writer witnessed acts autodenuncia and dissociation of the Jewish world by a group of Jewish Londoners. Ottolenghi's mind immediately associated the incident with the terrible rite, belonging mainly to the tradition of the English Inquisition, through which men and women considered heretics, accused himself is in the public square before tackling the sentence - it was almost always sentenced to death at the stake - in an extreme act of faith "(from the Portuguese auto-da-fe)

was the starting point of complex and thorough survey on the current condition of the Jewish people, on the problematic relationship with Europe 'Judaism and anti-Semitism in the past five years, we are witnessing a subtle, creeping resurgence.

The result is a vast and detailed through documents, letters, articles and various citations, provides insights and answers to questions highly controversial and often nebulous, since the very concept of anti-Semitism in the collective reports generally the persecutions of the '30s and '40s - which culminated in the tragedy of the Holocaust - essentially based on a racial hatred that strong ties to the Nazis considered the jew "innately evil" (and thus to eliminate physically for the good of society) and that now seems largely outdated and impractical. The approach described by Ottolenghi, rather than tracking a clear link between anti-Zionism and the forms of injury prior to the '30s - which were based largely on the denial of Jewish identity in society - and the resulting postsionismo Semitism today be a variant and is characterized mainly in the non-acceptance of Jews as a people and legitimacy of Israel as a nation.

The result is a climate of growing hostility more or less manifest, which tends to explode in forms of violence of varying severity in conjunction with the most dramatic phases of the Arab-Israeli conflict, and - in a further parallel with the past - a propensity to 'exclusion of pro-Jewish isaeliani with consequent pressure in the direction of a "conversion" and a clear and radical departure from Israel and its policy that could be considered as an act of salvation by making the jew more socially acceptable.

The amplification of this trend towards schematic of a dominant negative thinking and uncritical towards the Jewish reality, it is also, as argued extensively in auto da fe, which is strongly influenced by a good part of the means of mass communication, guilty of the underlying impartiality which has initiated a crucial process of "demonization" of the policy and conduct Israel, which, although it can not be assimilated to the climate of terror and fanaticism established by the Nazis, it has to arouse suspicion and concern.

Punctual and documented Autodafé is a fundamental text that offers an uncommon perspective on pressing issues and unresolved complex of the Jewish question, which is essential to articulate a vision and a thorough knowledge of a phenomenon destructive as anti-Semitism that is well understood to be demolished.

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Call Me Irresponsible - Michael Buble

After the overwhelming success of "It's Time, Michael Buble has been made to wait for two long years, during which he enjoyed the fruits of the twelve million copies sold the world, and lived by irresponsible devoted to the pleasures that the care of his precious throat, as stated in motivating the title of the new album, released a few days and have record sales.

Call Me Irresponsible, è un ottimo lavoro di cover che unisce il talento innegabile del più accreditato erede di Frank Sinatra, alla furbizia di scelte di scaletta che comprendono pezzi dal valore indiscusso, riarrangiati e rimodernati quel tanto che basta per impreziosirli senza mai stravolgerne la bellezza originale, in un viaggio di insolita bellezza dentro il raffinato swing d’autore.

Apertura dell’album affidata a The Best Is Yet To Come, resa famosa (tra gli altri) da Sinistra ed Ella Fitzgerald, e all’ex pop It Had Better Be Tonight, scritta nel 1964 da Johnny Mercer e Henry Mancini, e trasformata in a mellow sauce that pays homage to the origins of the Venetian singer with the opening words in Italian verse "It is better tonight."

is followed by a captivating I'm Your Man by Leonard Cohen, love swing complete with fiery interpretation that grows up to become angry pleasantly, and with two of the most important pieces of ' album, Comin 'Home - which relies on the participation of Boys II Men playing with Buble in a masterful succession of exciting items - and the great Eric Clapton Wonderful Tonight pop sung in duet with Brazilian singer-songwriter Ivan Lins, a harmonious admixture of English and Portuguese.

And yet moments of fascination with the choir I've Got The Word, and the famous That's Life enriched by the gospel choirs of TAKE 6.

The album also features two new songs, the clever pop Everything, the first single, and the poignant ballad of love and atmosphere Lost, written by the same Buble with the participation of the pop star Canadian Jann Arden, is intended to secure success as a sweet soundtrack for romantic summer nights.

taste for retro and contamination di moderno pop, si mescolano in un album estremamente godibile che racconta l’amore attraverso la voce calda e ricca di sfumature di un interprete talentuoso e carismatico, dotato tra l’altro di spiccate doti da intrattenitore che potremo presto sperimentare live, nel corso delle sei date italiane fissate dal 20 al 27 novembre a Bolzano, Padova, Mantova, Roma, Milano, Firenze.

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I miei occhi giacciono
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Disturbed - Pianissimo Fortissimo

Pianissimo Fortissimo is the fifth album by Disturbed, which comes two years after testing by the excellent Songs in the mirror. The album that the band Turin has worked for over a year, marks the transition from an independent record label to a major label like EMI, and makes use of many excellent collaborations, by Manuel Agnelli, Afterhours - which is responsible for the choirs of In My Casket - to Baustelle, in Verden.

The result is forty minutes of music flowing with mild and delicate touch of mastery dampen the dark tones of the previous production, to develop new state of mind and tell the daily life of those insecure thirtysomething looking for answers and certainties, poised of nostalgia, love and regret nascent enthusiasm. From the solemn opening words of one more year, which opens the album full of romance with the disarming question, "Will where are you when I meet her eyes?" Pianissimo Fortissimo proceeds of sweetness sweetness, through the beautiful arches of David Rossi ( already worked with Coldplay, Goldfrapp, Siouxsie & The Banshees) in soft passages read as words or lively as the first single from the sun beats per minute (excluding from the jury of San Remo) and dreamy as the Casa Mia sweet, warm ballad of 'nascent love.

And yet the anxiety of the escape time in On and Off with his Brautigan "Day ending before you start, that a soft start to end in June Where were given an unusual atmosphere, poignant lament of nostalgia built exclusively on a piano accompanying the voice tormented by Tommaso Cerasuolo - who truly manages to procure that tickle the soul is talking about - the melancholy band all'incursione until the end. An album that, in perfect disturbance, combines the lightness of Italian pop to the depth and content of music copyright, excited to listen to the simplicity of little stories where you can find easily in our shares.

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The Doors - The Very Best Of The Doors

In January 1967 came out The Doors, dazzling debut homonym Californian band, for use in the course of a career short and intense, to overturn the fees and to establish themselves as one of the most incisive and irresistible in rock history.
Cover photo.

Forty years later, the myth of the unforgettable Jim Morrison and his talented band is not being dimmed and relives dazzling and ever present in The Very Best Of The Doors, who collects the most representative pieces together with previously unpublished interviews and live performances. The album is published in three versions, a single containing the songs historians, with a double and five previously unpublished interviews, and finally an issue Limited, which includes all the classic and previously unpublished, which will include a DVD containing footage of a European tour of '68 and an interactive booklet with photos and rarity. A unique opportunity to dive at a time of intellectual ferment lit, printed in the wild rock, psychedelic visionary, and Morrison, the charismatic and troubled poet, singer of sex, death and decay in shocking and irreverent in their tracks offering new interpretations of reality, in rebellion against predetermined values \u200b\u200bthat punch in the stomach and in the right-thinking people that still impresses with genius and modernity.

innate generational rebellion screamed in engaging hard rock riffs of Break On Throught, the majestic Light My Fire blues rock and his seven-minute ode to the brash and turned on their sex, yearning Riders Of The Storm, Alabama Song all'incalzante and decadent, until the masterpiece The End, a reconstruction of the rock myth of Oedipus, with a hypnotic and disturbing end spiraling guitar-organ-drums that run convulsively; The Very Best Of The Doors is a wide ride exciting and beautiful expression that captures the genius and self-destructive path and follows the immortal icon, and legendary charm. A play not to lose that wrap nostalgic older generations, and undoubtedly inflame the hearts and minds of the younger

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Good Charlotte - Good Morning Revival

Three years after The Chronicles Of Life And Death, the Madden brothers and their band back to continue the turnaround started last album, giving a further and probably irreversible turning towards pop cheating definitely punk origins, eliminates the slightly dark vein that survived in the previous work, giving the prints a electro-pop album, with a few ideas that draw largely inspired by '80s music scene and definitely disappointing for those who have known and loved in the driving mix of energy and originality of the beginning.

Early undeniable pop combined with a massive use of electronics, the first single extract, Keep Your Hand Off My Girl (radio airplay for months already) Good Morning Revival offers some suggestions welcome, opening entrusted to Misery, strong electro-rock surrounded by prominent keyboards, the most vital piece of the album and drag, The River which, in collaboration with M. Shadows and Synyster Gates of Avenged Sevenfold, a critical look at the "tacky, plastic, empty and meaningless" Los Angeles, for the adoption of Good Charlotte. It continues with the exciting Beautiful Place, his guitar and his soft tone inspired, and with the soft ballad of love Where Would We Be, which focused on the sweetness of the melody keyboard, tells of the end of the romance between the lead singer Joel Madden and Hilary Duff starlets.

Some excerpt from energetic rock to remember the brilliant and unconventional atmosphere of the origins and Something Else Broken Hearts Parade in order to conclude a journey not sound particularly exciting, with the soft On March
conducted with great enthusiasm and with the collaboration Don Gilmore (Pearl Jam producer, Linkin Park, Duran Duran), Good Charlotte have expressed clearly in Good Morning Revival, the desire to break free from the kind that led them to success, in search of a maturation that results in a flattening involuntarily Music, which scontenterà nostalgic but it is certainly much appreciated by young lovers of catchy pop and light.

Their world tour will take the band in the U.S. Italy, June 9 Idroscalo June 10 in Milan and Rome Tendastrisce.

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Tiromancino - Dawn Of Tomorrow

Three years Illusions Parallel Dawn arrives tomorrow's new album Tiromancino, a part of a larger project that includes the black comedy Black family house, the first test of the eclectic filmmaker Federico Zampaglione, out of 13 April.
Already gold in few days after, The Dawn of Tomorrow confirms the steady rise in the career of Tiromancino and the tendency to search for a sound unconventional, oltre ad amplificare i concetti espressi nel film - pur proponendosi come progetto autonomo - attraverso nove brani inediti che si affiancano alla colonna sonora.
Avvalendosi di numerose collaborazioni, dalla rinnovata alchimia con il padre Domenico e il fratello Francesco - autore del brano Non Per L’Eternità - alla consolidata unione con la compagna Claudia Gerini - autrice e voce solista del sognante brano in lingua spagnola Nina De Luna, oltre che interprete principale del film - alla partecipazione dello storico percussionista napoletano Rosario Iermano; Federico Zampaglione ci parla d’amore e di ricerca di sé, di alienazione e condizione umana, con testi arguti e poetici che si sposano perfettamente ad un sound che spazia dal pop all’electro, dal blues all’alternative rock.
Registrato a Roma e masterizzato da Greg Calbi presso lo Sterling Sound di New York, alla ricerca di una meticolosa attenzione per il particolare, l’album spazia piacevolmente dall’electro-pop di Angoli Di Cielo, che apre l’album con l’invito “cerca in ogni notte un pò di sole” alla dolcezza della morbida ballad d’amore Un Altro Mare, dalla psichedelica Stop Making Numbers e dall’alternative rock della strumentale Linea Di Confine, alla sensualità gitana di Nina De Luna, per affrontare poi, il tema del male di vivere in Poveri Uomini “destinati a fragilità, spaventati dall’amore e dalla libertà”. Chiusura strumentale affidata Franco Califano tribute to the reworking of Rome Naked and the suggestive atmospheres of soft Blue
incisive and multifaceted, The Dawn of Tomorrow hits for rich sound and rhythm along with moments of delicate introspection, and confirms the talent of a of the most significant of the Italian music on hold to listen to the tour which starts in June and go through the whole of Italy.

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Biagio Antonacci - Vicky Love

Vicky Love is the title of the new album di Biagio Antonacci comes two years after the great success of Convivio and his two and a half million copies sold. Registered
entirely at his home in Bologna, looking for a raw sound inspired and essential alla musica anni ’70, Vicky Love è un album crudo e carnale che racconta d’amore e di sesso con la consapevolezza e la maturità del quarantenne che si propone nella sua essenzialità, mettendosi a nudo - non solo metaforicamente, come dimostra il booklet che accompagna il cd - per darsi in pasto al pubblico candidamente, scevro di sovrastrutture.
Un viaggio lungo undici canzoni attraverso le sfaccettature dell’amore, che sosta piacevolmente sull’erotismo esplicito fin dal brano d’apertura È Soffocamento, col suo incipit quasi mistico che si scatena, attraverso repentini cambi di atmosfera, in un crescendo di chitarre e batteria, audace sfondo ad una appassionata notte “di gambe intrecciate, di baci and different positions, tried and failed. " And still hot passion in sexy pop invitation dell'indiscutibilmente The Impossible with its "Think my hands on you often and think of where I'll bring you" or that "I want to hear about her, I want to shake it" the soft ballad Ladybug, along with his exciting instrumental finale, or gypsy guitars driving the Dream, performed by Gipsy Swing Martirani and embellished dall'incursione Dafne Wolves, who reads poetry in French.
There is also space for reflection in Vicky Love, for moments of solitude and melancholy of the romantic and thin there is silence, the pain of the end of a love You are no longer in here, with its languid acoustic guitar to accompany painful verses ("can not imagine how far you live if you're not here"), for the position most vibrant album in hands off Cape single track "political" in a fast-paced and dance that recalls the early days, venting residual anger Antonacci - accumulated during the work of reasoning in early youth - through the rebellion of an employee harassed and humiliated that they can not gain the dignity of the head , robs him of "what it is for someone like me." Closing the album
hands of sometimes opening words of solemn piano that gradually dies down, leaving space for the electric guitar to the song more rock album, which follows the greeting of the singer himself - in a confidential tone, that which for years has established with his audience - and the presentation of the ghost track Photograph, and whispered soft lullaby, written fifteen years ago and never recorded. An album
pleasant and engaging, largely setting aside every ideal of romantic love to paint realistic images and vital to identify with easily, and sing in chorus the only two-event tour dates, June 30 at the Stadio San Siro in Milan and July 6 at the Velodrome in Palermo.

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MIka - Life In Cartoon Motions

A few months after the sudden and overwhelming success of the single Grace Kelly has climbed from web le classifiche di tutta Europa, arriva Life In Cartoon Motion, primo album del giovane e promettente Mika.
Nato a Beirut e fuggito dalla Guerra del Golfo prima a Parigi poi a Londra e infine negli Stati Uniti, Mica Penniman - questo il suo vero nome - ha iniziato a scrivere e cantare da bambino ricevendo una formazione musicale importante sotto la guida di un “severissimo insegnate di canto russo”, componendo brani per spot pubblicitari e incidendo per la Royal Opera House, fino allo scontro con la dura realtà e con le ferree regole del mercato discografico, a cui accenna in quel singolo di esordio che, apparso timidamente su myspace, è diventato in breve, un tale fenomeno mediatico, da creare una spasmodica attesa e curiosità attorno the first album. Compared
- with obvious excesses of enthusiasm - with artists like Freddie Mercury, George Michael and Elton John, Mika in reality, while drawing on the greats of the past and inspired by the '70s and '80s music, has a strong character and a personal style can be expressed freely in Life In Cartoon Motion, a dance album and lively, lit and colorful as its cover.
Ten songs (and two bonus-track) that blend into a lively cauldron pop, funk, disco and hip hop, alternating marches irresistible melancholy ballad surprisingly, by the brilliant Lollypop, built between choral moments next to the characteristic airy falsetto, the enthralling Any Others World, warm ballad string, voice and long-awaited final suggestive, and even 70's disco in the rhythmic relaxation, fun electro-pop in Big Girl, perky piano Stuck In The Middle and entrusted to the final soft sweet and inspired Happy Ending.
Light and joyful, Life In Cartoon Motion, runs through the stories of everyday life glancing ironic, melancholic and sometimes euphoric reality, staging funny characters and funny as the star of Billy Brown, who leaves his wife for love of a man or threatened happily all those who seek his beloved sister in Lollypop.
Solid debut, very cool and nice to listen to the young Mika, already beloved gay icon wins tender for all and sympathy.

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Daniele Silvestri - Il Latitante

Five years after the lucky one two, and after a double live album, a memorable concert event in Mozambique and the publication of a picture book, returns with Daniele Silvestri Sanremo a striking appearance and a highly anticipated new album, The Fugitive.
largely abandoned the approach that characterized the policy of previous works, The Fugitive is an album by softer tones but never disengaged, which resist acute and obvious, hints controversial filtered through the lens of the usual irony, always alive to the attention hottest social issues.
difficult to label with the style to which we have become accustomed, the brilliant songwriter Roman speaks of love and politics, the loss of the thirties and clichés malpractice and Italian, making us laugh, move and think through thirteen tracks, various and multiform for sounds and topics. Dall'incipit given to the grieving I Lost It, sophisticated jazz that goes in crescendo culminating in the final long solo trumpet given to Demo Morselli, a mix of jazz and samba Gazzè with Max on bass, face velvet sull'incomunicabilità man and women, to the irresistible sounds of the Caribbean furbissimo Paranza that behind the seemingly easy-going photographer skillfully the Italian habit of escaping responsibility, ignore the evidence and give into hiding.
To continue with moments of energetic rock on the banks of the multi-faceted and I Dell'Arrone Fortunately his rousing solos and electric guitar, alternating with the openings of a pop-dance songs most representative of the album, the exhilarating Gino EL'Alfetta which, with joy and biting sarcasm tackles a controversial subject like homosexuality, siding and I say openly in favor of highlighting the absurdity of prejudice with his disarming question "what do you want, I'm gay that made my disorder do you have? Capitalize on the huge inconvenience it? but you know how many genes and heroes are gay do not you know? or do not want to remind you prefer to think that a gay is some sort of error, something immoral or at best a fool. " And yet
reflections on the relations in A Ricochet ("but not for the sun to pass in the row") in duet with Andrea "Bove" Leuzzi of Eight Ohms and economic difficulties in the sweet lullaby semiseria Ninette Nanna.
He feels the lack of a clear strong position and slogans scream live in, but the revolutionary spirit of the unforgettable Silvestri Cohiba beats throughout the album and seems to lean hard on the back end, when, faithful to his belief, albeit more cautious, tells us about human indifference in the face of all sorts of horror in Love Is In The Air ("Even the most horrible stench smell the stench worse than the black and deadly know that within hours you can They even forget to think that maybe it seemed, the smell has gone if ever there was some smell but in the meantime, tempers the scent will slowly kill you and who produced smiles ") or when it realizes a tasty teasing the eternal enemy of Berlusconi in the up and march That beautiful face, then finished his career with the beautiful still important, melancholy ballad jazz developed in collaboration with Inti Illimani, perfectly recognizable the sound built around the classic horn and voice Jeorge Coulon which enhances the song with his beautiful recited final.
An album not to be missed, full of songs for a successful and acute reflections, for a versatile artist capable of a brilliant use of the word, that consoles us with his rare example of consistency and intellectual honesty

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Pino Daniele - Il Mio Nome È Pino Daniele E Vivo Qui

Pino Daniele back with a strong and definite statement of its identity and its roots can be seen very clearly from the title of the album and is confirmed in personal style, never betrayed by the market rules, which he imbued each of the ten new songs.
Written, arranged and produced by Daniel My name is Pino Daniele E Vivo Here is an album that sinks in the past, rediscovering the much-loved seventies blues and a taste for the Neapolitan dialect, but starts at the same time a bridge to the future through electronic experimentation. The result is an unusual mix of influences in which jazz, pop and electro mix of hot tunes skillfully to a predominant south across various latitudes, and languidly travels from Naples to Havana to Africa.
hardly be characterized as innovative album, however, the new work of Pino Daniele looks pretty solid confirmation of skill of one of the most talented Italian artists, accompanied for the occasion by many star guess, since this brilliant incipit given to brilliant Back Home, colorful and humorous critique of "you do not do that shit all day" to the sound of driving bass entrusted to the famous Brazilian musician Alfredo Paixao, who returns as a co-author and second voice even in the sixth track of 'album, the rousing Mardi Gras.
Continue with sound and sensual Caribbean dell'accattivante Rhum And Coca, yet another declaration of love in Cuba, then wrap in order to leave the luxury of two collaborations with jazz Giorgia, Day and Night, Legends of the Fall and the beautiful, poignant "memory of a love that continues to travel in the head" embellished with a long and exciting final solo guitar gypsy. And yet Lafricano, a playful and sensual ballad swings before the final hymn of pride Naples that the collaboration of his drummer Tony Esposito in Ischia Rising Sun with its hypnotic "Sceta" that breaks through the electric guitar solos and vocals arabesque and Paso Napoletano soft fusion of verse in Italian and English as a backdrop to a sound that blends together in a curious ethnic and electro.
A pleasant and enjoyable album, filled with the warmth of the sun of the south, and crossed by a reassuring voice in his being unique, that we will soon hear live, during a tour which will include visits to the theater Politeama in Palermo on April 23, and the Metropolitan di Catania il 26