It's called the new work by La Radiolina Manu Chao, the fifth solo album by the end of the collaboration with Mano Negra.
Three years after the episode Siberia m'était experimental counties (never distributed in Italy) the voice of the sun disappeared again speak of hope, love and freedom and to point the finger at the distortions of a world wrong with the look of a child pure and confident quarantaseienne.
The album - produced by the same collaboration with Manu Chao and Andrew Scheps Mario Caldato, the independent label Because Music, which the singer is bound by choice for years - as alternates usual moments of reflection, emotion and joy, and skillfully blends rumba rhythms travel from ska, to reggae until the patchanka unpublished contamination rock, accompanied by insults in English, French, English, Italian and even, for a job and eclectic involving that knows no barriers and flags.
The beginning entrusted to the powerful whooping 13 Dias with his bright guitar solos, suggests the themes dear and new sounds that will be developed along the album, going through the painful love of considerations Maleza Tristeza, open letter complaint and rebellion against the U.S. president, and Politik Kills harsh indictment of the corruption of leaders who advocate a policy that kills (politik need cries politik need force poltik need ignorance politik need lies) to the first single from the overwhelming Rainin Paradize. Already in radio airplay for months, and can be downloaded from the official site, and accompanied by a video shot by his incisive Emir Kusturica, the track shows the more bitter soul and rock artist of the brilliant French-English, who claimed to be a restless guitar electric hammers and pulls for four exciting minutes, lashes out strongly against the horror of all wars, lighting of particular fervor when addressing the issue of the American in Iraq ("In Baghdad there is no democracy just because is a nation that belongs to the United States ") do not forget to lash out too often ignored the atrocities that are consumed daily in Palestine, Congo, Zaire and globally in all" this crazy world. "
addition to the commitment and anger, however, La Radiolina gives us moments of love, intimacy and dreams in which the voice of Manu Chao becomes the protagonist of caressing sensual ballad that sounds have colors and typically South American, Me llaman Calle by the warm, the unusual A Thing, in which the artist engages in an Italian soft and flaky (as evidenced by the failure of the title) in duet with the voice corrosive di Tonino Carotone; dalla morbida Mala Fama in cui spicca piacevolmente malinconica la sapiente tromba di Roy Paci, alla bellissima La Vida Es Una Tombola, colonna sonora del film-documentario El Pibe De Oro di Kusturica, e dichiarazione d’amore e stima a Diego Armando Maradona, per una vita vissuta pienamente tra eccessi e passione (“si yo fuera Maratona yo viviria como el”).
Intenso e ricco di contenuti e sonorità variegate, La Radiolina è un nuovo importante tassello che arricchisce bel mosaico costruito negli anni da Manu Chao, menestrello buffo e profondo che non smette di battersi e di sognare, lasciandoci immaginare un Otro Mundo più giusto e equo.
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